January 21, 2013

The Photoshop “Faking It” Contest: Show Off Your Image Manipulation Skills

To celebrate the Met’s exhibit Faking It: Manipulated Photography Before Photoshop, the Photoshop team has created a contest:

We’d like to invite the Photoshop community to share their photo manipulations with us for a chance to win some special prizes. Every week, from now through February 7th, we will post an image from the Faking It exhibit that will serve as inspiration for that week’s submissions. Photoshop fans can submit their own altered photograph showing their interpretation of the theme, and at the end of each week, a random winner will be chosen to receive a print copy of the 296-page exhibition companion Faking It: Manipulated Photography Before Photoshop by Mia Fineman.

In addition to the weekly winners, participants who submit a video screencast of their entry, showing how their image was created, will be eligible to win the grand prize; a trip for two to see the Faking It exhibit in person at either the National Gallery of Art in Washington D.C. or the Museum of Fine Arts in Houston, Texas.

10:36 PM | Permalink | Comments [6]

Photoshop customer profile: Illustrator Brian Haberlin

Photoshop.com profiles comics illustrator & storyteller Brian Haberlin, talking about his mix of digital & traditional media:

It’s really Faustian, meaning I will do anything it takes to get me to the final image. For example, I use both analog and digital techniques and go back and forth. I may print out my work, spray it with water, throw paint on it, scan it back in, or collage it with the original digital painting. I use anything from painting on a wet printout to using coffee as a paint source – whatever it takes to get there at the end of the day.

Brian shows his work & talks about key Photoshop features (Puppet Tool, Warp), favorite CS6 features (Background Save, Oil Paint), and more. (Note that a good chunk of the interview is inexplicably buried under a “More” link.)

[Via Daniel Presedo]

2:27 PM | Permalink | No Comments
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