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Joke Productions shoots, edits, and delivers new Oxygen series

“Snapped: She Made Me Do It” reality crime series cut exclusively with Adobe Premiere Pro CC

Joke Productions, founded by the husband and wife team of Biagio Messina and Joke Fincioen, creates and executive produces unscripted TV shows, documentary series, and reality television for major networks. Like many people in this industry, they started working in a one bedroom apartment. Today, they operate a 7,000 square foot studio located in Hollywood, California near Universal Studios.

After working with Final Cut Pro 7 for years, the company switched to Adobe Premiere Pro CC to edit its new Oxygen series, Snapped: She Made Me Do It. Joke Productions workflow is now 100% Adobe Creative Cloud and the team has declared Premiere Pro CC “reality ready.”

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Rise and Shine Films wins Ikan Fly Smartphone Film Contest with “Balloon”

Short film edited with Adobe Premiere Clip and Adobe Premiere Pro CC workflow

Rise and Shine Films describes the video content it produces as “lovingly handcrafted videography.” In addition to client projects such as commercials and corporate videos, the small team also enjoys working on its own projects and trying out new video solutions. Recently, they created the short film Balloon for the Ikan Fly Smartphone Film Contest. The sweet film about a little girl who dreams of flying won the grand prize in the competition, and was also the Best Cameraphone winner in the My RODE Reel 2015 international short film competition.

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Michael Bonocore tells stunning visual stories through video and photos

Videographer and photographer interweaves still and motion mediums with Adobe Creative Cloud

Michael Bonocore didn’t come from a photography or visual arts background. That’s nearly impossible to believe, given his accomplishments—first with photography, and more recently with video. He humbly chalks up his success to hard work and luck, but it also has a lot to do with talent and passion. He specializes in travel photography, telling stories using both photos and video and relying on an Adobe Creative Cloud workflow.

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Andrew Chastney, one year, one stunning documentary

Documentary director and editor reveals magical world in his latest film, Iceland: Land of Ice and Fire, created with Adobe Creative Cloud

Documentary Film Editor and Director Andrew Chastney’s passion for natural history is clear in the work he’s done for the BBC, Disney Nature, Animal Planet, and National Geographic. Most recently, he explored the magical secrets of Iceland for the BBC documentary, Iceland: Land of Ice and Fire, which tells the story of the animals, people, and land that make up this wild island. Andy used Adobe Creative Cloud to help create the ambitious documentary, which aired on the BBC in May 2015.

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Will Newell brings excitement and polish to Formula 1 racing events

Live sports broadcast editing and effects specialist delivers the full package for top sporting events with Adobe Creative Cloud

Covering live sports broadcasts requires speed, cost-efficiency, and flexibility—and that’s where Will Newell excels. For 10 years, he’s done graphics, editing, live outdoor interviews, and broadcast delivery preparation for events including the U.S. Open and Formula 1 racing. Although he’s used Avid Media Composer and Final Cut Pro, his freelance business now relies on a Mac and Adobe Creative Cloud, including Adobe Premiere Pro CC. Here, Newell shares his experiences and talks about why Adobe Creative Cloud is an affordable, powerful option for a freelancer.Will Newell_1

Adobe: How did you get your start?

Newell: I worked at an editing facility in Manchester, England in the machine room, as a runner, and then as an assistant editor. I moved to London a few years later and began freelancing. Sky Sports contacted me to do features, openers, closers, and so on. I hit the ground running working regularly on content for football, rugby, cricket, tennis, golf, and even darts matches. I went to Australia in 2012 for the first Sky Sports F1 race and have been doing primarily outdoor broadcasts ever since.

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Scott Peters leads digital content production for The Voice UK

Skilled director and editor brings multifaceted talent to BBC’s “The Voice UK” with help from Adobe Creative Cloud

Scott Peters is a self-­‐proclaimed “everything” man. He can direct, produce, edit, shoot, and produce graphics on both large and small budgets. Freelancing offers him the variety that he enjoys and has helped him build an impressive resume. His most recent gig was working as a Digital Director and Producer on the BBC’s The Voice UK, where his team produced all digital content for the wildly popular show using Adobe Creative Cloud.

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Adobe: How did you get your start?
Peters: I learned everything I know on the job. I started filming when I was about 12, doing skateboard videos and emulating Jackass videos. At 16, I started getting work experience running on commercials and TV shows.

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Liverpool Football Club scores with exclusive video

Premier League football club engages with a growing international fan base through cross platform video created with a smooth Adobe Creative Cloud workflow

Matthew Quinn, Head of Media Technology & Future Development for Liverpool Football Club, will be presenting the session “Building a Fan Base Across Media Platforms with Creative Cloud” in the Adobe stand 7.G27 at IBC 2015 on Monday, September 14th at 1:30 pm and 4:30 pm.

With 18 League Championships, eight League Cups, and five European Cups, Liverpool Football Club is one of the most celebrated teams in the English Premier League. Since 1892, “The Reds” have excited supporters throughout the UK and around the world. With interest in the club increasing, LFC has been engaging with fans across the globe and building excitement about the club year round for many years.

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After successfully growing interest in its website and gaining a strong subscriber base, the LFC Digital Media Team turned its attention to launching LFCTV, the Liverpool FC television channel. In 2007, LFCTV started bringing games, news, and behind-the-scenes footage into fans’ living rooms. Growing adoption of social media led Liverpool FC to broaden its reach with social media, YouTube, and LFCTV GO, the club’s paid subscription streaming video service.

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Simon Bryant, rocking concerts on screen

Concert film editor captures emotion of live performances with Adobe Premiere Pro CC

Simon Bryant’s love of music comes through loud and clear with his editing of concert and studio footage for films and DVDs. His work covers a range of genres and he’s been lucky to work with many well-known artists including The Rolling Stones, Ed Sheeran, Coldplay, and One Direction. Bryant is constantly examining what makes a project successful, both from an editing and a film point of view. One key factor that contributes to his success is working with Adobe Premiere Pro CC.

Simon Bryant will be presenting the session “Leading the Eye: Multi-Camera Editing for Some of the World’s Biggest Bands” in the Adobe stand 7.G27 at IBC 2015 on Sunday, Sept. 13th at 1:30 pm and 5:00 pm.

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Adobe: How did you get into this career?

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ADI wows stadium fans with broadcast-quality sports video

Creators of innovative display solutions power fan engagement at leading sports venues with help from Adobe Creative Cloud and Adobe Anywhere

Geraint Williams will be presenting the session Next Generation Global Sports Broadcast with Adobe Anywhere” in the Adobe stand 7.G27 at IBC 2015 on Friday, Sept. 11th at 3:30 pm and Saturday, Sept. 12th at 12:30 pm and 4:00 pm.

Since Geraint Williams founded ADI nearly twenty five years ago, the company has grown to become a global pioneer in the creation, management, and distribution of video content and the technology that supports it. The company supports huge events and installations throughout retail and large sports venues, delivering both the infrastructure and the content to entertain and excite audiences. Today, ADI uses a video workflow that includes Adobe Anywhere and Adobe Creative Cloud to connect teams, venues, and partners with their target audiences.

Adobe: Tell us about the importance of content in your business.

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Stefan Weiss, fearless editor, hands-on educator

Self-taught editor and master educator transitions editors from Avid Media Composer to Adobe Premiere Pro CC

Stefan Weiss will be presenting the session “Streamlining Workflows by Switching from Avid to Adobe Premiere Pro CC” in the Adobe stand 7.G27 at IBC 2015 on Friday, Sept. 11th at 1:30 pm and 5:00 pm and Saturday, Sept. 12th at 2:00 pm.

When it comes to non-linear editing (NLE), Stefan Weiss is fearless. He’s worked in both film and broadcast television, and today enjoys editing documentaries on a variety of topics, from airplanes to reincarnation. Weiss balances his editing career with work as a trainer, focusing primarily on teaching others how to successfully switch from Avid Media Composer to Adobe Premiere Pro CC. Weiss is a member of the German Editors Guild (Bundesverband Filmschnitt Editor e.V.) and an Adobe Certified Instructor for Premiere Pro and Adobe Photoshop CC.

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Adobe: How did you get your start?

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Creatives all over the world are producing amazing work with Premiere Pro -

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Recent Sessions

A Front Row Seat - webcast presented by Jason Levine & special guest, Siân Fever LIVE from IBC Show 2015
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Using Character Animator - presented by Dan Ramirez
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Filmmaking from Scratch - presented by Dave Basulto
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My Filmmaking Toolkit - presented by Maxim Jago
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Think Like a Colorist, Work Like an Editor - presented by Robbie Carman
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The Editor's Journey - presented by Vashi Nedomansky
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What’s Next for Adobe Pro Video Tools - presented by Jason Levine from NAB Show 2015
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Managing Video Formats with Adobe Media Encoder - presented by Joost van der Hoeven
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The Filmmaking Workflow with Premiere Pro & Creative Cloud - presented by Christine Steele
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After Effects for (almost!) Everyone - presented by Joost van der Hoeven.
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Boost Your Career with a Killer Reel presented by Rod Harlan
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